Jen Nadol

Book Briefs: Lindsay Eland

July 12th, 2010

Book Briefs: an interview series where authors talk about…what else?  Books!

Lindsay Eland’s debut middle grade novel, Scones and Sensibility, was published by Egmont USA in December 2009.  The paperback version will be out this December. 

What book are you reading right now?  I just read the last delicious pages of Beauty by Robin McKinley.

Your favorite children’s book:  It’s a tie between Bridge to Terabithia by Katherine Paterson and Matilda by Roald Dahl.

Your favorite non-fiction book: Hmmm…Into Thin Air by Jon Krakauer.

Your favorite classic (read: book they made you read in school) book: Nicholas Nickleby by Charles Dickens. 

The last book that made you laugh: The BFG by Roald Dahl.

 The last book that made you cry: When You Reach Me by Rebecca Stead.

The last book you recommended to a friend: The Goose Girl by Shaonnon Hale ’cause I LOVE Shannon Hale.

A novel you’ve re-read (and re-read): Matilda by Roald Dahl and A Long Way from Chicago by Richard Peck and The Tale of Desperaux by Kate DiCamillo

One sentence that gives the gist of your book best:  Overly romantic and overly dramatic 12-year-old Polly Madassa sets to matchmaking in her small beach town with disastrous and hilarious results.

Avoiding spoilers, a 1-2 sentence passage from your book that you really like:

“This is most vexing to me,” I said aloud. (I had learned the word vexing from dear Jane Austen and had hoped to find a circumstance in which I could use it.  This was definitely one such moment.) “Yes, I am very vexed indeed,” I said again.

Learn more about Lindsay and Scones and Sensibility at her website: www.lindsayeland.com

Thanks, Lindsay!

After weeks of my dawdling around on facebook and ebay and Allie Brosh’s blog (which is totally hilarious and worth any amount of time), Book 3 is finally picking up speed. 

I’m up to 36,000 words (The Mark and Vision both ended up around 58,000), but more significant was today’s moment.  I was writing dialogue between two characters, it was flowing pretty well, then out came a passage that tied in perfectly with something that’s already written into the last scene.  Totally unintentionally, my subconscious showed me how to connect the dots.  Kismet like this means I’ve finally gotten into the groove. 

Hallelujah.

Vegetables!

July 7th, 2010

This enthusiasm is kind of ironic since I’ve always been more a bread and chocolate than broccoli and cauliflower kind of gal, but they do taste better and become exponentially more interesting when you’re growing them yourself. 

Here’s the garden six weeks ago and today:

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Tomatos, eggplants, peppers…

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Cornfail.

A few recent harvests…

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And what the last one turned into which, in all honesty, looks better than it tasted.

I daresay it’s the best garden year ever.  And in a great example of writing what you know, two upcoming WIPs include stuff I’ve learned in the garden, making the veggies count as both dinner and research.

My Sister the News Anchor

July 2nd, 2010

Last month, my sister graduated from college with a degree in Broadcast Journalism.  This week, she started her first job in the field, as the ten o’clock news anchor at the CBS station in Greenville, MS. 

For the curious, a clip of her debut broadcast is here (you have to click on Wednesday’s Top Stories or the thumbnail of the male anchor). 

I’m going to be the best-informed suburban New Yorker on happenings in Greenville.  Already, I know not to leave my leaf blower unattended.  Really, Wayne, is there that big a black market for those things?   

Anyway, congrats, Cait – we’re so proud of you!!!

Book Briefs: Karen Kincy

July 1st, 2010

Book Briefs: an interview series where authors talk about…what else?  Books!other

 Karen Kincy’s debut YA novel, Other, is out TODAY from Flux.  Congratulations on the release, Karen!  

What book are you reading right now?  Lots of books!  Well, to choose one, I’m reading Bleeding Violet by Dia Reeves. I’m not too far into it yet, but I’m liking the unique voice and premise.

Your favorite children’s book:  If this includes young adult, that would have to be Blood and Chocolate by Annette Curtis Klause. Vivian is the sexiest, most badass girl character I’ve ever seen.

Your favorite non-fiction book: My dictionary of etymology. Seriously, though; I’m majoring in linguistics and I love excavating the quirky histories of words.

Your favorite classic (read: book they made you read in school) book: Definitely Madame Bovary by Gustave Flaubert. I very much wish I could describe things as vividly and meticulously as he does.

The last book that made you laugh: That would probably have to be one of Richard Peck’s books, such as A Year Down Yonder.  I love his Grandma Dowdel character.

 The last book that made you cry: Hmm. I don’t usually cry while reading, having a steely authorial heart. Maybe the last Harry Potter book, though, got me a little misty-eyed. I also wailed at Rowling several times for killing certain characters off.

The last book you recommended to a friend: That would be Hush, Hush by Becca Fitzpatrick. Sexy bad-boy fallen angel meets no-nonsense human girl.

A novel you’ve re-read (and re-read): I know I already mentioned it, but I read my copy of Blood and Chocolate so much that the pages are dog-eared and the front cover is ripped like a werewolf chewed on it.

One sentence that gives the gist of your book best: Seventeen-year-old Gwen is a shapeshifter–a secret that can get her killed in a small town with a serial killer on the loose… can she find him before he finds her?

Avoiding spoilers, a 1-2 sentence passage from your book that you really like: Half-cougar, half-girl, I quiver on the brink of shapeshifting. I swipe at a tree and gash bark, wondering what flesh would feel like.

Learn more about Karen and Other at her website: www.karenkincy.com

Thanks, Karen!

Someone asked me the other day if it cost a lot to get my book published.  No, I told her, when you sell your book to a publisher, they pay you and take on the costs of producing it.  It doesn’t cost anything. 

Which is only partially true, because as any writer will tell you, a big chunk of the promotional costs fall to the author.  You can spend nothing if you like, but most – myself included – don’t.   

I know it’s tacky to talk about money, but I’m going to do it anyway because I was curious (and maybe you are, too) about my debut year expenses.  Here they are:

Website: $750

I researched a bunch of designers this was one of the most reasonable for the level of site I was looking for.  I also checked out some do-it-yourself templates, but the time it would have taken me to do the work made hiring a professional a better choice.   

Author Photos:  $125 + $250 = $375

I wasn’t thrilled with my first round so, after a lot of hemming & hawing, had them re-done.   

Swag: $215.41

This bought a lot of bookmarks from iPrint.com and a lot fewer 3×5 notepads.   I also threw the $25 to be included in the Tenners’ trailer in here ’cause I didn’t know where else to stick it.

Giveaway items:  $298

This includes glow pens, $180 worth of gift cards for my online launch party and books.  Some of the books were gifts from my publisher, most of the gift cards were bought using Discover points vs hard cash. 

Mailings:  $238.49

So many trips to the post office.  Swag, contest prizes, ARCs, manuscripts, contracts…my postal worker’s name is Mike, he has three grandchildren, used to go outlet shopping in my hometown and probably thinks I’m running an ebay business.  He gives my kids Express Mail stickers every time we go in.  Your postal dollars at work. 

Supplies:  $244.76

This includes a PO Box, envelopes, boxes, tape, pens to sign books, pens to sign bookmarks (the silver Sharpie works on black glossy without smearing) and other stuff like that.  It does not include paper, printer ink or general office supplies.

GRAND TOTAL: $2121.66

Ouch. 

The good news, aspiring/debut authors out there, is that you don’t have to do any of this (though websites are pretty much universally expected).  And if you choose to do some, there are always ways to do it for less. I didn’t do a book trailer which probably saved a bundle.  Had I done my own website, I’d have saved a bunch more.  CurrentCodes.com had savings codes for iPrint.com so I saved on swag orders.  And so on. 

Also, once you have some writing income – even a little – stuff becomes deductible.  Including childcare expenses – babysitting or nursery school – if it creates the time in which you’re able to write.  This was a biggie for me. 

I have no idea yet how The Mark is doing, but I know that in rough numbers, an author makes about $1 for each book sold and I’ve heard that the average book sells less than 5,000 copies.  Even I can do that math and it tells me that, for most, writing isn’t a huge money-making venture*.   

Knowing that, it’s good to keep a business perspective when spending on your book.  Writing is an occupation that feels very personal sometimes.  The first inclination is to give your baby all the very best of everything – the fanciest website, the slickest trailer, the coolest posters and t-shirts and bookplates and whatever all the other authors are doing.  But the goal is selling books, not piling up bells and whistles.   There are some things I spent money on that I might not again and others that I knew were extravagances – like re-doing my author photos - that I did just because it was worth it to me.  For the most part, I’m okay with my expenses (even though, added up, they sound huge). 

Every business has a start-up cost, be it time, money or, usually, a bunch of both.  I’d guess mine was about average on both counts for a debut novelist.

*These are the royalty numbers which a writer only starts getting after they’ve earned-out by “paying back” their advance, roughly at this $1/book rate.  If you don’t earn enough to pay back your advance, you keep the advance, but get nothing additional.  Rights (foreign, audio, dramatic, merchandising) play into this in ways way too complicated for this post.

How to Pronounce Nadol

June 24th, 2010

Easy to spell, apparently not as easy to say.  If you’ve ever wondered how, click here and I’ll tell you. 

And, if you’re a teacher, librarian, bookseller, just curious or looking to kill time, the TeachingBooks.net website has lots of authors pronouncing their names, book guides and a bunch of other great-looking resources.

Tennerific Giveaway!

June 23rd, 2010

Head over to the Tenners for this month’s giveaway of awesome, book-related stuff:

To enter, comment on the Tenners’ post with a beach-read recommendation.  The giveaway ends Thursday, June 24th at midnight – good luck!

I’m guest posting today at Reading With Tequila on Finding the Perfect Book. 

Check out some of my faves and the section I think bookstores should add…which, uh, you might have already guessed from the title of this post.

http://www.readingwithtequila.com/2010/06/guest-author-jen-nadol.html

I feel like I’m asking myself this every day.  The Mark has been out for months.  The sequel, Vision, has been finished for months and is in the long process of production – edits, re-edits, line-edits, cover design, yadda, yadda.  It’s time for Book Three.

The problem is I’m having The. Hardest. Time. focusing on it. 

Which I can’t believe since it’s already half done.  I’d written a-hundred-and-twenty-some pages during The Mark’s editing/production process before I decided The Mark needed a sequel and I should write that instead.   So, I set aside Book Three (which would have been Book Two) and wrote Vision.

Now I’m back at it and it’s not going as smoothly as I’d hoped or expected.  

Sometimes returning to an on-hold project is a what was I thinking? experience.  But this isn’t. I still like this story:  the premise, characters, subplots – they’re all still working for me.  I just don’t feel like I’m quite in the groove of it yet, even though I’ve been reading and re-reading these chapters for weeks now. 

Which is exactly why I don’t edit during the draft stage because, for me, stopping midway is killer.  I lose that easy connection with the story where, even if I’m not really in the mood to write, I can still push through a scene and get mostly usable stuff.  Instead, I find myself doing anything but pushing through Book Three. 

Like, say, writing a blog post about how much I’m not writing. 

Maybe this is writer’s block.  Even though I know where the story’s going, I’m having to drag the words out.  Whatever the case, the only cure is to stick with it and wait for the tide to turn.

Or take a fab vacation. 

Anyone want to watch my kids?

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